‘Last Days’ brings empathy to doomed Sentinel Island missionary’s story

It would be easy to demonize John Allen Chau, the Christian missionary who died while trying to bring the Bible to a remote tribe. The 26-year-old could have introduced new diseases to the North Sentinel Island community, causing serious harm. He also vowed to invade a community that craves isolation above all.

Now imagine a Hollywood film capturing Chau’s short, dramatic life. The industry isn’t known for sympathetic close-ups on faith, to be generous.

‘Whenever we go into places where we’re not comfortable, the first thing is, “I have to impose my point of view. Here’s my worldview.”‘

Yet veteran director Justin Lin (“Star Trek Beyond,” the “Fast & Furious” franchise) took a less expected path in bringing the young man’s life to theaters.

Justin Lin. Photo: Giles Keyte

Quick to judge

“Last Days” stars Sky Yang as John, a determined Christian who vowed to do something remarkable with his life. He risked everything to travel to the North Sentinel Island, hoping to share Jesus Christ’s message.

The story ended tragically, but Lin’s film portrays Chau as a kind-hearted lad whose complicated life led him to his fate. Lin isn’t a Christian, but he treated the material with care and empathy. That wasn’t his first reaction.

“It’s very easy to judge and dismiss. That’s what I did when the story broke,” Lin told Align of the initial news reports, the kind of “hot take” that swiftly decried Chau’s fateful decision. “It didn’t sit well with me that I was so quick to judge and dismiss him.”

A father’s story

An Outside Magazine feature on Chau’s life had a powerful effect on the filmmaker. The story shared Chau’s father’s perspective on his late son, among other details.

That rocked Lin.

“I have a teenage son. As a parent, I know exactly what he was going through, how you’re trying to impart your wisdom, make sure they’re not going through any hardships,” he said. “What I learned from that article was that if you do it on your timeline, and your son is not ready, you just miss each other.”

The project didn’t involve fast cars or intergalactic travel, but the change of pace spoke to the veteran filmmaker.

“I really wanted to try something different,” added Lin, even if he wouldn’t have the kind of blockbuster budget at his back.

“It’s going to be a run-and-gun, small crew,” he imagined before reading more from the real Chau’s diary. “In John’s writing, he was clearly inspired by adventure novels and Hollywood films. … I’m going to honor that and be the signpost for our film. … It’s an intimate story, but it has to feel like a big Hollywood film.”

He called in some professional favors to give the film a Tinsel Town sheen that otherwise might not have been feasible.

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Still courtesy Pictures from the Fringe

Fresh perspectives

Lin approached Chau’s faith delicately, while acknowledging the dubious decisions he made along the way. A mid-film romance ends unexpectedly, for example, allowing for fresh perspectives on Chau’s quest.

That balance came via an extensive effort on the director’s part.

“Whenever we go into places where we’re not comfortable, the first thing is, ‘I have to impose my point of view. Here’s my worldview.’ I made that commitment early on to say, ‘No,’” he said. “Taking three years of my life [for this film] … was to connect with his humanity.”

More with less

“Last Days” looks as lush as a $100+ million film, the kind that Lin routinely delivers. He didn’t have those resources nor an A-list cast to bring John Chau’s life to the big screen. Yang is a minor revelation, while Ken Leung’s turn as the young man’s father is heartbreaking.

Lin has a knack for doing more with less.

“I made a credit card movie for $250,000, and that movie opened the door and gave me all these opportunities,” said Lin of “Better Luck Tomorrow,” his 2002 breakthrough made by maxing out his personal credit limit. The film earned $3.8 million theatrically, a tidy sum given the budget. Hollywood swiftly came calling.

“Last Days” may have an indie sensibility, but Lin still felt the pressure to “nudge” the film in certain directions. The real Chau refused to be “boxed in” by society, yet the film industry tried to do just that with the film.

“Can you make this a Christian movie?” he recalled of the behind-the-scenes chatter about “Last Days.” … I didn’t understand or even appreciate that kind of nudge. … ‘If you really wanna be marketable, you should do more of this.’ Those conversations for me ended very quickly.”

“That is a challenge with independent films … the temptation. … ‘If I give you all this money, can you cast my son?’ Those are all choices you encounter,” he said.

Lin will find himself on more familiar ground with the upcoming “BRZRKR,” based on the Boom! Studios comic book co-created by Keanu Reeves. The “John Wick” star served as an angel investor in “Last Days.”

“I didn’t grow up wanting to make action movies, but I ended up enjoying the process,” he admitted.

The public got a sneak peek at “Last Days” during the Sundance Film Festival earlier this year, months before its Oct. 24 theatrical rollout. The post-screening Q and A left him hopeful he had accomplished what he had set out to do with the film.

“Five minutes in, they could find a common bridge in [the film],” Lin recalled. “We need that now more than ever.”