Let’s build statues for the masked enforcers of COVID tyranny

Think about all the statues the woke mob tore down in recent years with the same fury they now reserve for firebombing Teslas. On the fifth anniversary of COVID-19’s medical, legal, and ethical failures, I have a few ideas for heroes worthy of new monuments.

Idaho alone deserves at least two. In September 2020, police arrested Gabe Rench for peacefully singing hymns at a public protest against the city of Moscow’s strict mask mandate. A court later ruled in his favor. Then, in April 2020, officers handcuffed Sara Brady in front of her children for letting them play outside at a park in defiance of a stay-at-home order. She, too, was ultimately cleared of any wrongdoing.

We should build statues and monuments to remind future generations of how science and dignity were cast aside for cultish hysteria and blind fear.

It took until 2023 for justice to prevail in both cases, delayed by a swarm of overzealous Karens and Keystone cops who failed to learn from history’s authoritarian follies. Instead, they seemed eager to replicate them.

They deserve statues too — depicted in their masks, rigidly marching six feet apart, blindly enforcing fraudulent “safety” measures. They can stand near Rench and Brady, a permanent reminder of the goose-stepping hysteria that defined the era.

The statues should defy logic, evoking disbelief and confusion. Children will gaze at them, instinctively pitying the absurdity and disgrace of the era they represent.

“How did they let it come to this?” they will ask. And wiser adults of a future age will answer, “Because they were morons, child. Utter morons.”

Todd Erzen, my book editor, envisions a mural in downtown Des Moines capturing his experience in April 2021. That day, he took his young daughter to a small restaurant to pick up a pizza. Inside, diners sat freely eating and chatting without masks. But when Erzen walked in for two minutes to grab his order, the Stasi guard working the cash register insisted that he wear a mask.

When Erzen pointed out the absurdity — customers raw-dogging the air all around him for an entire meal were somehow “safe,” yet his brief presence required a hazmat-level response — the restaurant workers refused to give him the pizza. Then they called the cops.

Erzen hopes the mural will provoke a question from future generations: If someone truly feared infection, why would they prolong an argument with a supposed biohazard instead of simply handing him his pizza and ending the interaction as quickly as possible?

The mural would be called “Trust the experts!”

Not so fast, proclaims the New York Times. This week, the paper ran an op-ed with a breathtaking lack of self-awareness, headlined “We Were Badly Misled About the Event That Changed Our Lives.” What in the name of Wuhan is that nonsense? Misled by whom? Where was that level of skepticism when Joe Biden declared COVID-19 a “pandemic of the unvaccinated”? Where was it when Sweden stayed open and defied predictions of mass death and disaster? Or when ivermectin — a Nobel Prize-winning treatment — was suddenly banned overnight, nearly costing my friend Bill Salier his life?

Yes, we should build statues and monuments to remind future generations of how science and dignity were cast aside for cultish hysteria and blind fear. Let them see a grand sculpture of Salier, measuring out “horse medicine” in a desperate bid to save himself, while a smug pharmacist and the likes of Terry Bradshaw mocked him.

Our monuments to the scamdemic should be as absurd as the reality they reflect — a cause for both mockery and lamentation. They should remind us of a similarly stiff-necked people who once worshipped a golden calf instead of the one true God and thus help us vow to do a much better job teaching future generations to smash their idols instead of allowing them to be brought to us by Pfizer.