‘Crawl’: Killer gators make for gruesome guests in overlooked creature feature

There’s nothing wrong with watching “The Silence of the Lambs” again, especially to honor the film’s 35th anniversary. With or without fava beans.

The same holds for other genre classics like “Rosemary’s Baby,” “The Shining,” “The Exorcist” and “Halloween” (1978).

The unrelenting creature brought to life with lo-fi special effects makes this a fine example of ‘less is more storytelling.

What about horror films that slipped by our pop-culture radar, settling into streaming obscurity? The following five films got little attention on release. They may have underperformed at the box office or simply debuted on a streamer sans fanfare.

Each is well worth a look — maybe even while uncorking a nice Chianti.

‘Crawl’ (2019)

If you see just one killer alligator movie this year, make it “Crawl,” which Quentin Tarantino dubbed his favorite film of 2019.

Kaya Scodelario stars as a young woman checking in on her Dad (Barry Pepper) during a brutal Florida hurricane. She can’t find him at first, and his home has started to flood. Badly. That brings more than just the threat of black mold insurance claims. Some killer gators have decided to investigate the house, and Scodelario’s character would make a tasty snack.

Yes, it sounds “Sharknado”-adjacent, but the movie’s hokey premise is offset by first-rate direction from horror vet Alexandre Aja (“High Tension,” “The Hills Have Eyes” (2006)). The father-daughter dynamic is handled with care, giving gravitas to the story without diminishing the chill factor.

‘Hush’ (2016)

This Netflix original boasts a can’t-miss gimmick. What if the protagonist in a home invasion movie were deaf and couldn’t hear the intruder breaking into her home? Every step and crash fell on deaf ears. Literally.

Horror maestro Mike Flanagan (“Doctor Sleep,” “The Fall of the House of Usher”) takes it from there, maximizing that plot device for a pulse-pounding affair that skimps on horror’s usual eye-roll moments. Credit star/co-writer Kate Siegel for crafting a credible heroine, one who never falls victim to girlbossery.

Instead, the film finds new ways to explore the central hook while allowing Siegel’s character to flash her survival instincts.

Yes, it has some slasher film DNA, but the thrilling setup makes it far more than a blood-and-guts-a-thon.

RELATED: Killer bear flick ‘Backcountry’ puts big-budget thrillers to shame

IFC Midnight

‘Splinter’ (2008)

Shea Whigham is one of Hollywood’s busiest character actors. Think “Joker,” “Mission: Impossible — The Final Reckoning,” “Boardwalk Empire,” and many more projects.

This micro-indie takes advantage of his screen presence, casting him as a crook on the lam with his reluctant gal pal. The duo abduct a couple while fleeing Johnny Law before the four run into an unexpected obstacle: a bizarre, stick-like creature that traps them in a convenience store.

The setting couldn’t be starker, forcing us to focus on the squabbling foursome. That, plus the unrelenting creature brought to life with lo-fi special effects, makes this a fine example of “less is more” storytelling.

The rest is up to Whigham, who proves his crooked character may have a redemptive arc lurking within.

‘Haunt’ (2019)

“From the writers of ‘A Quiet Place’” wasn’t the marketing draw the film’s studio imagined. Still, Scott Beck and Bryan Woods’ directorial effort delivers a straightforward horror film done just right.

The plot screams Genre Film 101, with a gaggle of attractive young people in search of Halloween high jinks. They stumble upon a haunted house attraction with terrible marketing but a decidedly creepy vibe.

Little do they realize the source of said vibes.

There’s little about “Haunt” that reinvents the horror movie template. It’s the efficient scares, imaginative twists, and capable cast that seal the deal. The film became Shudder’s most-watched movie premiere of 2019.

‘Rogue’ (2007)

If you see just one killer crocodile film this year, make it this smart Aussie thriller. Director Greg McLean (“Wolf Creek”) leverages his homeland’s stunning vistas and a better-than-expected cast for a slick terrorfest. Radha Mitchell (“Man on Fire”) stars as a tour guide steering vacationers through the country’s Northern Territory. The trouble starts when her jerk of an ex (“Avatar’s” Sam Worthington) interrupts the riverboat tour.

That’s nothing compared to what comes next. A massive croc terrorizes the boat, feasting on vacationers in the process. The serene setting lulls us into a false sense of security, but the creature feature scares prove as nasty as needed. Co-stars Michael Vartan (“Alias”) and a pre-fame Mia Wasikowska (“Alice in Wonderland”) provide the character beats, allowing us to invest in the dwindling band of survivors.

Don’t get too attached to them, though.